The Lowry Collection

By Jennifer Weymark, Archivist

In 1996, Marjorie Lowry donated a photograph album filled with amazing images of Lakeview Park in the late 1930s. The photographs are a glimpse into the lives of a group of friends who spent the summer of 1938 at the lake. They can be seen playing on the beach, joking around with one another and just enjoying Lakeview Park.

Lloyd and Bill White (A996.20.97)

What was Mrs. Lowry’s connection to the photograph album? The connection is the White family, specifically Lloyd White, who can be seen in numerous photographs throughout the album. Lloyd was Mrs. Lowry’s paternal uncle. There is a further connection to the Jubilee Pavilion , as Lloyd’s sister Ruth was once married to Owen McCrohan, proprietor of the pavilion during the time of the photographs.

Throughout the album, friends and members of the White family can be seen enjoying Lakeview Park and all the amenities the park offered. The album features photographs of bands who played at the Jubilee Pavilion, large picnics, and carnival rides. The majority of the photographs appear to be from the summer of 1938, just after Owen McCrohan and Tom Bouckley took over as proprietors of the Jube. It is a unique glimpse into the summer fun before the world faced war in 1939.

Ruth White with Owen McCrohan(A996.20.98a)

The album is not only a snapshot of Lakeview Park in the late 1930s but also a photographic snapshot of the White family. The photographs show Lloyd, his sister Ruth (not yet married to McCrohan), and his brothers Bruce and Bill (Mrs. Lowry’s father). The captions hint at some hard times in the family and also indicate that the Second World War would impact the family as we know for certain that Lloyd served overseas.

Personally, this photograph album is one of my favourites in the archives. I love the light-heartedness in the images. I thoroughly enjoy that this is one of the few photographic examples of the ethnic and racial diversity that has been a part of Oshawa for much of its history. Friendship, love, and fun are documented throughout the album, and that is why it is such a wonderful part of our archival collection.

Oak Crawford with The Tramp Band (A996.20.125)

Annotating a 52 year old article

The following article was originally written by Jo Aldwinkle and was published Mar 6, 1967, in the Oshawa Times. We have annotated the article to provide reference and make connections to the OM collection.

Attractive Bungalow Built in 1854 Withstands Inroads of Commerce and One-Way Traffic

The leaded, bevelled glass panel in the front door beams a welcome and a mellow atmosphere of gentle living enfolds you as you step over the threshold of one of Oshawa’s oldest houses.

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Inside the Ellis home, c. 1970; photo from the Oshawa Museum archival collection (AX010.70.12)

Situated on the corner of Centre and Athol streets, the charming, bungalow-type house with its long French window and dark yellow shutters is owned and occupied by Miss Greta Ellis whose parents purchased the property at the turn of the century.

Greta Ellis was born 1888 in Oshawa, a daughter of Frederick E. Ellis and Mary Myrtle Henry (1866-1962); her maternal grandparents were Albert Henry (1837-1917) & Harriet Guy (1843-1866), making her great-grandparents Thomas Henry, Lurenda Henry, and Thomas Guy and Harriet Cock Guy.

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Mary Myrtle Henry (1866-1962), photo from the Oshawa Museum archival collection (A017.20.77); of note, the photographer was Oshawa based C.L. Lewis 

Records show that the house was built in 1854 for a Doctor Joseph Clark and his wife, the former Elizabeth Cameron of Toronto. The house stood on an eighth of an acre of land which was neatly landscaped with winding walks, arbors and shrubberies.

The address for this home was 31 Centre Street South, NE corner of Centre and Athol.  Today, this is the location of Michael Starr Building/parking; the Clark-Ellis house is no longer standing.

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Clark-Ellis House, c. 1970, from the Oshawa Museum archival collection (AX010.70.3)

At that time a wide verandah encompassed the house on all sides. Built of mud and straw bricks and covered with stucco inches thick and the gleaming outer walls are twenty inches thick and the gleaming floors are made of pegged pine.

In a day when a finished basement was almost unknown, Dr. Clark’s house was unique. His spacious basement was completely finished and divided to include a consulting room and office, approached by a side door, down a few steps; a large kitchen and laundry and sleeping quarters for the domestic held.  A dumb waiter transported food and dishes to a pantry above.

Oshawa’s eternal problem of mud and slush was even more aggravating in the days of board-walks than it is today and Miss Ellis recalled a story that she had heard in this regard concerning Dr. and Mrs. Joseph Clark.

“It was told,” Miss Ellis said, “that when the doctor and his wife walked out after dark and you must remember, there were no street lights, they had a maid carrying a lantern walking backwards before them to light their footsteps.”

About the turn of the century, Mr. And Mrs. Ellis purchased the property and added to it without changing the original plans.

The wide central hall gives a sense of spaciousness and the 33 foot long living room is well proportioned with a marble mantelpiece set between the French windows.  The doors are wide and heavily bordered and the skirting around the walls is 24 inches high.

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Inside the Ellis home, c. 1970; photo from the Oshawa Museum archival collection (AX010.70.9)

A portrait of Elder Thomas Henry, Miss Ellis’ great-grandfather, dominates the room and portraits of her grandmother, the former Harriet Guy and great-great-grandmother, bear him company.

The portrait of Thomas Henry was donated to the Oshawa Museum as part of the Ellis estate. The portrait included with the original article is the same one now on display in the Henry House study. The OM does not have any portraits of Harriet Guy Henry in its collection; we have a digital copy of Harriet Cock Guy (her great-grandmother), and we have the life-sized Harriet Trevithick Cock portrait on display in the Verna Conant Gallery. If this is the same portrait being referred to in the article, it is unclear.

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Thomas Henry, as displayed in the Henry House study, Oshawa Museum collection (A973.13.1)

From these gentle women, the late Mrs. Ellis inherited her skill in needle craft. Her daughter treasures a patchwork quilt, composed of pieces of silk, satin, and velvet, joined by fancy feather-stitching that her mother made for her trousseau.

Again, the artefact photographed for the article was donated to the OM as part of the Ellis Estate.  This quilt is in fragile condition and is not always on exhibit.  The needlework is indeed impressive.

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Henry family quilt, in the collection of the Oshawa Museum (973.13.2)

Most beautiful of all are her decorative pieces of raised embroidery on crimson velvet. The examples shown depict white velvet roses with calyx, stems and leaves in shaded green chenille and a cluster of hydrangea, the flowers mounded high and each floret applied separately.

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Easter Greetings

Happy Easter from the Oshawa Museum!  Here’s a glimpse at Easter in our collection.

From the Oshawa Museum Collection

 

Postcards in the Archival Collection

 

An Easter display at Eaton’s in the Oshawa Centre, from the Oshawa Museum photography collection (A999.19.654-658)

Student Museum Musings – Ria

By Ria K., Co-op Student

Hello, my name is Ria, and I am this semester’s co-op student at the Oshawa Museum. I am currently in Grade 11, and attend O’Neill C.V.I. I chose to do my placement at the Oshawa Museum since it is an extremely different learning environment from what I am used to. History class is something I enjoy, as I am constantly learning, however history is much more exciting and engaging when I am experiencing a hands on learning experience, and not just listening to a lecture. Throughout my time as a co-op student, I will have many ongoing projects. One responsibility I find extremely interesting is researching and creating the monthly Month That Was blog posts.  Also, I have been passing a lot of time creating write ups on artefacts and posting them to the Oshawa Museum Tumblr. I hope to gain a lot of knowledge about how museums run, as well as gain new skills in researching, writing, and creating aesthetically pleasing displays. I am looking forward to spending the next four months at the Oshawa Museum!

Here is a selection of photos Ria has taken around the Museum!

The Prodigal Son: E.E. Henry, 1828 – 1915

By Jennifer Weymark, Archivist

In 2018, the Oshawa Museum will be publishing a book focusing on the amazing collection of Henry family letters that were donated to the archives in 2013.  One of the more prolific letter writers was Ebenezer Henry.  Who was Ebenezer Henry?

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EE Henry (A017.20.1)

Ebenzer Elijah Henry, or E.E., was the youngest of five boys born to Thomas and Betsey Henry.  Sadly for the young family Betsey died on November 12, 1829 when Ebenezer was just one year old.

The death of Betsey left Thomas alone to care for five young boys aged 9 to 1. While a sister of Thomas’s came to help the family in their time of grief, Thomas knew that the boys would need a mother. Through series of letters, Thomas began courting a young woman from Port Hope, Lurenda Abbey.  They were married on November 2, 1830 and Lurenda moved to Port Oshawa becoming mother to five young boys.

By all accounts, Ebenezer had a fairly typical childhood of the time period.  Lurenda took to her new role as mother and raised the five boys as if they were her own. The family grew to include ten more children. They had a farm and a fruit orchard on which the boys would have been expected to work. Thomas and Betsey built a frame home where they started their family.  Sometime around 1840, Thomas and Lurenda had the stone house that stands today, constructed for the family.

Henry House

Along with his siblings, Eben’s education most likely began at the small log cabin school located in School Section #2 Cedardale. The school was located approximately 2.5 kilometres from the family home. It is unclear if Ebenezer attended high school.  We know that Ebenezer attended Starkey Seminary, located in Eddytown, New York. In a letter written to his father, Ebenezer recounts returning to the Seminary and once again seeing his teacher, Professor Edward Chadwick.  Prof. Chadwick became head of the Seminary in 1847, and Ebenezer attended the school sometime between 1847 and 1851.

It appears that during his time in New York State, Ebenezer met Harriet E. Mills. Harriet was living wither mother and step father and is listed as a student in the 1850 US federal census.  While it is not yet clear if Harriet was a student at the Seminary, as it was approximately 23 kilimotres from the family home, it is clear that this is when Ebenezer met Harriet. Sometime between 1850 and 1852, the couple wed and moved back to East Whitby Township and settled in a frame house located close to his father’s home.

In around 1857, the couple left East Whitby Township and headed east to Port Hope, the hometown of his step-mother Lurenda. Once there, Ebenezer opened a photography studio. He not only created ambrotype photographs for his patrons, he could also produce copies of daguerreotypes, engravings, painted portraits and other such art work. The studio moved several times during his time in Port Hope, but it did appear to be a successful business venture.

Ebon Henry Photo Studio

In 1866, Ebenezer and Harriet moved from Port Hope to Leavenworth, Kansas where he once again opened a very successful photography studio.  Even with the distance between them, Ebenezer maintained relationships with his family in Canada.  The letters sent by Ebenezer to his father offer us a unique opportunity to learn more personal details about the family and provide glimpses into family dynamics.  While Ebenezer would return to Canada to visit family, he made Leavenworth this home until his death February 7, 1915.

As the research for the upcoming publication continues, it has been pleasure to learn more the Henry family on a more personal level.