Pteridomania: The Victorian Craze for Ferns

By Kes Murray, Registrar

Walking through our Henry House is like walking back into the mid-1800s. From the furniture, to the decorations, our Henry House is a good example of a Victorian home, right down to the tiniest detail. Walking through, you may notice that a lot of the decorations and motifs are floral. This is because the Victorians loved their plants! During the Victorian era, Botany became one of the most popular scientific fields within English society, due in part to colonialization and expansion of European countries into the Americas, Asia, Oceania, and Africa, and also from the scientific endeavour to collect and classify the natural world.

When thinking of the Victorian era and flowers, you may think of a few things, such as the Victorian language of flower dictionaries that grew in popularity, the emphasis on gardening and landscaping during this period, the popular pastime of collecting and pressing flowers, or the boom in greenhouses and hothouses. No aspect of life was exempt from the craze of flowers.

However, one unique plant captured this Victorian plant craze to a new extreme. This plant was that of the fern. This craze was so intense that it created its own name, called Pteridomania, meaning fern fever.

A bright room with pink wallpaper. There is a large wooden couch, and two framed items on the wall. There is a fern on a pedestal in the room as well.
Parlour, Henry House, with a fern in the corner.

How did this start?

Ferns have a long mysterious history before the Victorian era. It has long been used for medicinal purposes, commonly used for treating asthma, hair loss, kidney complaints, and worms. However, the real mystery was that of how ferns reproduced. None knew how they grew, thus myths spread that ferns has magical properties, and eating the fern seed could make one invisible.  

Throughout the 1700s, minor scientific developments happened in the study of ferns. The largest challenge to this study was the survival rate. England only had about fifty native species, but many botanist wanted the exotic ferns. Transporting ferns from Australia, for example, was extremely difficult, as ferns would not survive the harsh conditions of the trip. Just about 2% of ferns survived the journey.

However, this all changed with the invention of the Wardian case. In 1829, Nathaniel Bagshaw Ward, a doctor and an amateur naturalist, invented the Wardian case. Ward had a keen interest in ferns but faced difficulties when growing them in foggy, damp, and polluted London, England. One night in 1829, he placed the chrysalis of a moth in a sealed glass bottle with moss at the bottom. To his surprise, he noticed some days later that a seedling fern had started growing inside. We can then think of the Wardian case as a precursor to that of our modern terrariums. They acted as a protective case and also as a microenvironment.

A view into a room from a doorway. There is a window with drapery and a fern in the centre
Dining Room, Henry House, with fern in the window.

Together, Ward and friend George Loddiges, also a botanist, began experimenting with larger Wardian cases. By 1831, they had grown thirty fern species in the Wardian cases. Overall, the Wardian case allowed plants from all over the world to be brought to England and survive.

Along with new inventions, literature added to this growing fern craze. In 1840, Edward Newman wrote A History of British Ferns. In this book, Newman praised Ward for his work and wrote that only those with “good taste” would attempt growing ferns. This right here started the fern craze.

People began collecting and hunting for ferns. Different species came from all over the world. Greenhouses and ferneries were created, where one could walk through and enjoy different fern species, along with other plants, flowers, shrubs, and trees. And of course, fern motifs could be found on everything from buildings, to ceramics, to clothing.

Our own collection here at the museum contains some of this fern craze. I was delighted when I found some clothing with fern motifs and Victorian era photography with individuals wearing clothing with fern themes.

However, this fern craze came with some costs. As the rage for ferns continued, prices increased. It became more difficult to find new species of ferns, and fern hunters would put themselves into dangerous situations just to find that new fern, like climbing mountains or venturing into unknown environments. Many injuries happened. Soon, some ferns, like the Killarney fern, became nearly extinct due to this craze.

A black jar with gold lid; it has a fern motif and features the word 'Oshawa'
Oshawa souvenir, with fern decoration, made by Oshawa’s Smith Potteries (020.7.1)

Pteridomania ended in the early 1900s. But, if you come to our Henry House, you can still see the fern craze in action.


Sources consulted:

Books

  • Bailey, M. & Bailey, A. (2021). The Hidden Histories of House Plants. Hardie Grant Books.
  • Favretti, R. J., & Favretti, J. P. (1997). Landscapes and gardens for historic buildings: A handbook for reproducing and creating authentic landscape settings. Rowman Altamira.
  • Shteir, A. B. (1997). Gender and” modern” botany in Victorian England. Osiris12, 29-38.
  • Whittingham, S. (2009). The Victorian Fern Craze. Shire.

Websites

Student Museum Musings – Lauren

By Lauren R., Summer Student

In my time as a co-op student, a volunteer, and now as a working summer student I have learned that at the museum you never know what to expect when you show up for work. When I started my summer position this year I honestly had no clue what I was in for; I wasn’t sure what I was going to be doing and I had no clue what kind of projects I would be working on.

Despite this uncertainty, I was incredibly excited to start in my new position and I knew that no matter what I did I would love it (every project is exciting in its own way). This summer I got assigned a project that was even more exciting than I ever could have imagined! My summer project is to create a new audio tour for the houses! For this I will be looking at talking more about the families in the houses instead of just the houses  themselves. Also, I will be looking quite a bit at the heritage gardens of Henry House and adding this new information to the tour as it was not part of the original tour.

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Woolly Lamb’s Ear

The Henry House heritage gardens is home to an assortment of interesting (and strange) plants. The Henry House garden is designed to display what an everyday garden would have looked like, similar to what the Henry’s themselves would have had. It is split into different sections depending on what the use of the plant is. There is one garden dedicated to tea, another to dyes and the last to herbs and plants that can be used for medical and other practical purposes. In the practical garden there are eight sections: practical, protection, serious conditions, culinary, insect control, healing, cough control, and calming.

So far, out of the many plants that I have researched and looked at in the garden, I have found four that continue to catch my interest. The first two belong in the healing section of the garden. The first plant is Yarrow (Achillea Millefolium). This plant is used to reduce blood pressure and, if the fresh leaves are put into a poultice, it can stop bleeding from cuts and scrapes and things of that kind. Another plant that is found in this portion of the garden is Woolly Lamb’s Ear. This plant is really cool as it feels fuzzy and is soft to the touch. The way that the Henrys may have put this plant to use would have been as bandages to keep cuts clean and covered, the soft texture of these leaves being non-aggravating to injured skin.

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Valerian

Another plant, in the calming section, that I find interesting is Valerian (Valeriana Officinalis). This plant would have been used to help prevent nightmares and to reduce anxiety. However, if too much is taken (or if it is taken for too long) it can cause some adverse side effects such as hallucinations, abdominal pain and headaches.  The final plant that catches my eye, or rather my nose, in our garden is Lemon Balm (Melissa Officinalis).  This plant is part of the tea garden. Lemon Balm is an incredibly versatile plant. It can be used as an extract to add flavour to dishes, added to a relaxing bath, applied to help soothe insect bites, used to make soothing teas (for headaches and nausea), lessen depression, eczema and it can even help allergy sufferers. In addition to all of this, Lemon Balm can help clean and heal wounds as it acts as an antiviral substance and will starve the bacteria in the wound of oxygen thereby killing it.

 

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Lady Bug on Tea Plant

There are really some incredible plants in the Henry House garden. What is even more incredible is to think that all of these plants would have been used in some way by the Henry family in their everyday lives.

The Host Files – Victorian Flower Language

This blog series comes from our dedicated and awesome Visitor Host staff, and topics range from favourite artifacts, thoughts on our latest exhibits, and anything else in between!

By Karen A., Visitor Host

The Victorian Era ushered in a time of proper etiquette among the upper class in England during Queen Victoria’s reign. Among the many rules and customs, there were expected behaviors that prohibited outright flirtations, questions, or scandalous relationships between two young lovers.

flowers.jpg

The use of flowers to convey messages had been used in Persia and the Middle East, it was during the Victorian Era and the publication of flower dictionaries explaining the meaning of plants, flowers and herbs, that the tradition began to spread throughout England. Soon it became popular to use flowers to send secretive messages. Though often portrayed to relay positive messages of interest, affection and love, flowers could also send a negative message and at times, the same flower could have opposite meanings depending on how it was arranged or delivered.

There was even a “Floral Clock”, with each flower representing a different hour of the day. “Meet me tomorrow at five o’clock”, for example, could be said with a combination of pimpernel, buttercup, and sweet-pea. Through the language of flowers, Victorian sweethearts were able to exchange messages and arrange meetings under the noses of their unsuspecting parents!

Victorian Era etiquette was dictated by who was around to observe the behaviors and manners of others. There was a clear distinction between upper class, middle-class, and the poor. Proper etiquette often limited communications based on people of another social status, or of a different gender.

Even within the same social class, many topics were taboo and it was impolite or downright rude to ask openly about relationships. Flirtations did take place, but secretly and with attention to discretion. By today’s standards, much of Victorian etiquette seems overly complicated or foolish, but in fact much of it was based on simple good manners. Some customs have been passed along and continued to be followed today such as men removing their hats when indoors, showing respect to women by opening doors for them or bringing a hostess gift to parties.

Here are some examples of the Victorian flower language:

Lavender- Sad refusal. “I like you, but only as a friend.”
Purple Iris- Ardour. “My heart is aflame.”
Bulrush- Haste. “Be more discreet in future.”
Daffodil- Rebuttal. “I do not share your feelings.”
Daisy- Delay. “Await my answer in a few days.”
Fuchsia- Warning. “Take heed, your lover is false.”
Pimpernel- Meeting. “Suggest when and where to meet.”
Primrose- New Love. “I may learn to love you. It’s too soon to tell.”
Begonia – Warning. “We are being watched.”
Tulip- Confession. “With this flower I declare my love.

So the next time you receive a gift of flowers, pay close attention—they may be talking to you!

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From the Archival Collection of the Oshawa Museum

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