You Asked, We Answered: Summer 2022

While on tour, our Visitor Hosts are often asked questions that they may not be able to answer in that moment. However, we take note of the questions and try to find the answers afterwards. Here are a few questions we’ve been asked this summer and their answers.

What is the roof of Henry House made of?

The roof at Henry House is made from cedar shingles. It was last replaced in 2013, and the lifespan of these shingles is at least 25 years (according to my Google skills). Here is a side by side comparison from 2011 and then November 2013, not long after it was replaced.

Beams of drive shed – where are they from?

The Drive Shed! The Drive Shed was a 50th anniversary project for the Oshawa Historical Society. The idea for an additional exhibition area was launched in 2007 during the 50th anniversary celebrations of the Oshawa Historical Society.  The  Board of Directors wished to commemorate this milestone with a permanent, tangible addition to the museum complex and the City’s lakefront property. The Drive Shed is a timber frame structure, built by students from Fleming College, Haliburton Campus. The opening for the Drive Shed was celebrated in September 2009.

A brown wooden building with prominent triangular roof. There are sliding barn doors, and glass doors behind them. It is winter with snow on the ground
Drive Shed, Winter 2013

What was style of the sash in the community room?

In A Carrying Place: Oshawa’s Indigenous Story, there is a sash, on loan from the Oshawa-Durham Métis Council.

A woven sash - it is predominantly red with blue, white and yellow also featured. The sash is in a display case with other items surrounding it
Métis sash, and other items on display from the Oshawa Durham Métis Council

The origins of the sash reflect the diversity of the Métis experience. The finger-weaving technique used to make the sash was firmly established in Eastern Woodland Indigenous Peoples Traditions. The technique created tumplines, garters and other useful household articles and items of clothing. Plant fibers were used prior to the introduction of wool. Wool and the sash, as an article of clothing, were introduced to the Eastern Woodland peoples by Europeans. The Six Nations Confederacy, Potowatami and other First Nations of the area blended the two traditions into the finger-woven sash.

The French settlers of Québec created the Assomption variation of the woven sash. The sash was a popular trade item manufactured in a cottage industry in the village of L’Assomption, Québec. The Québécois and the Métis of Western Canada were their biggest customers. Sashes were also made by local Métis artisans. Sashes of Indigenous or Métis manufacture tended to be of a softer and loose weave, frequently incorporating beads in the design.

The sash was used by the Métis as a practical item of clothing. It was decorative, warm and could be used to replace a rope to tumpline if none were available. The sash has been the most persistent element of traditional Métis dress, worn long after the capote and the Red River coat were replaced by European styles. The Métis share the sash with two other groups who also claim it as a symbol of nationhood and cultural distinction. It was worn by Eastern Woodland Indigenous Peoples as a sign of office in the 19th century. It was worn by French Canadians during the Lower Canada Rebellion in 1837. It is still considered to be an important part of traditional dress for both of these groups.

A display case with several items, such as a red sash, a doll, and a fiddle inside. Behind there is a large Métis flag: blue with a white infinity symbol
Inside A Carrying Place: Oshawa’s Indigenous Story; this display features items from the Oshawa Durham Métis Council

Are the three families still around today?

Yes! Every year, we get people coming into the museum and saying that they are descended from either the Henry, Robinson, or Guy families. Because Guy House was a triplex for many years before becoming the Museum’s admin building, we will also have visitors tell us that they, or someone they know, lived in Guy House in the past.

Six Caucasian people, four standing, two sitting, posed for a photograph. The two seated people are holding a large book, and behind the group, there is a framed, painted portrait of another Caucasian man
Henry descendants presenting Isabelle Hume with the Henry Family Bible, c. 1990 (AX994.62.1)

Thanks for visiting!

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