Hi there, it’s Emily again, and I’ve continued the transcribing of the Thomas Henry Correspondence Collection, which I mentioned in my previous post. Through the transcribing and digitizing I have looked at numerous very interesting pieces related to Thomas Henry, and the Henry Family. But there are two pieces in particular that stand out for me within this collection. One of which is a photograph taken by E.E. Henry, the son of Elder Thomas Henry. This photograph is titled a “Spirit Picture,” and contains the image of two men and one women, one of the men however is deceased, being “[b]orn again into the spirit life, July 20th, 1825.” The second piece from this collection that is very interesting is a correspondence letter, which was written by Thomas Henry, June 10th, 1873, and addressed to E.E. Henry. This letter is especially interesting because it is Thomas Henry’s response to the Spirit Picture sent to him by his son.
The elder Henry’s response to his son is a very interesting read after looking at the Spirit Picture, because being a Christian Minister, one could assume that Thomas Henry has very firm beliefs in regards to the spirit word. The correspondence letter sent to E.E. is strongly worded, long, and firm, scolding his son for taking part in what Thomas believes is unsavory activities. Thomas states in his letter, “I do not dispute but what the picture has been taken. It is not of god, in my humble opinion, But of the Divil[SIC], and show very clearly to me a falling away from God, and disbelieving his word.” Thomas Henry continues through his letter to argue to his son the abomination that is the Spirit Picture sent to him, and writes of the story of King Saul, Samuel, and the Medium at Endor.
The relationship between Thomas and E.E. Henry is very fascinating because after scolding his son through this letter, and yet Thomas ends is letter by writing, “you might have taken the old prophets picture, and now I would not wonder, but what Dr. Taylor and his medium might get a picture of some of your friends if so send me one.” In another unrelated letter from this collection E.E. writes to his father, “you well know you have left me out in the cold as it were, and I have had to paddle my own canoe for myself. You have as you say in your letter helped all the rest, but me, and now you tell me that I am the favorite. Well God knows I am glad and hope it is so.” It seems to me that parental approval was one of, if not the most important aspects of life for Victorians. And that the Spirit Picture may have been a way that E.E. was seeking that approval by showing to his father his work.
This collection has been fascinating to go through, and has helped me understand the Henry family, and Victorians, much more than I had before by the digitizing and transcribing of these letters and pictures.